Summer Heights High, written by and starring Chris Lilley (We Can Be Heroes: Finding The Australian of the Year), is the award winning Australian mockumentary series starring three of the funniest protagonists--all played by Lilley to hit our screens in years.
The effeminate, yet megalomaniacal, Greg Gregson--aka 'Mr G'--is the self-appointed "Director of Performing Arts", passionate about his "innovative" teaching methods and determined to write his own "Arena Spectacular". Summer Heights High is the third school in eighteen months for Jonah Takalulah, a teenager with Attention Deficit Disorder and problems with aggression. His best hope is to avoid being expelled, but he says he’s "not dumb" he’s just "choosing not to be smart at the minute." Private school exchange student Ja'mie King is struggling to cope away from her privileged background at "like, the boganist school ever."
When singer, Rudy Donatello (Tony Award winner, Alan Cumming) meets ambitious lawyer, Paul Fliger (Garret Dillahunt), little do they know they are about to embark on the biggest and most important journey of their lives.
When Rudy's neighbour is arrested and sent to jail, the couple take in her teenage son, Marco (Isaac Leyva) and they quickly become the family that Marco has always wanted. But when their alternative living arrangements are exposed, the family become subject to prejudice from everyone around them. The pair then becomes embroiled in a fight against a biased legal system to keep the child they have come to love as their own.
Winner of numerous international audience awards and inspired by a touching true story, Any Day Now is an emotional drama, which resonates on a universal level and reminds us of the importance of never giving up.
Leonardo is a blind teenager dealing with an overprotective mother while trying to live a more independent life. To the disappointment of his best friend, Giovana, he plans to go on an exchange program abroad. When Gabriel, a new student in town, arrives at their classroom, new feelings blossom in Leonardo making him question his plans.
At 15, Adele doesn't question it: girls go out with boys. Her life is changed forever when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.
Sieger and Marc are part of an all-boys athletics club, training hard for the relay championships. During their lakeside summer days, an innocent friendship develops into something deeper, but coming to terms with these new emotions is a hurdle they have to overcome. At first, Sieger denies his attraction to Marc. But then, they kiss…
Bittersweet romantic comedy. On their wedding day, Heck (Matthew Goode) and Rachel (Piper Perabo) should be the happiest couple alive. But when Rachel catches the eye of an unexpected female guest at the church, she suddenly knows that Heck isn't the man she's supposed to spend her life with. Plunging into the marriage anyway, Rachel soon finds herself starting to question her sexual orientation as she falls for this mysterious woman.
Sizzling lesbian newcomer Ashleigh Summer takes the leading role as Lola alongside cult lesbian heartthrobs Jill Bennett (Dante's Cove), Cathy DeBuono (Star Trek: Deep Space Nine, Out At The Wedding) and Jessica Graham (2 Minutes Later) in this sexy lesbian romp inspired by the classic RUN LOLA RUN. Talented but constantly distracted photographer Lola (Ashleigh Summer) is on the verge of success in both love and work. She could lose it all if she doesn't make it on time to a crucial business meeting with her new girlfriend (Jill Bennett) and her sultry and seductive client (Cathy DeBuono). But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets of San Francisco, time grows short - can Lola make it passed ex-lovers, wannabe girlfriends and part-time stalkers? And should she arrive too late will she loose the job and her girlfriend? "With a pop sensibility that mixes live action, animation and still photography, And Then Came Lola explores love's age old question in a fresh new way, all to the tune of an upbeat soundtrack and a blistering performance from the hottest lesbian cast ever assembled for a feature film.
Drama from Academy Award-winning filmmaker Ang Lee starring Jake Gyllenhaal and Heath Ledger. Set against the sweeping vistas of Wyoming and Texas, the film tells the story of two young men - a ranch-hand and a rodeo cowboy - who meet in the summer of 1963, and unexpectedly forge a lifelong connection, one whose complications, joys, and tragedies provide a testament to the endurance and power of love. Both young men seem certain of their set places in the heartland, obtaining steady work, marrying, and raising a family. Yet, they both hunger for something beyond what they can articulate. When Aguirre (Randy Quaid) dispatches them to work as sheepherders up on the majestic Brokeback Mountain, they gravitate towards camaraderie and then a deeper intimacy. Lee won a Best Director Academy Award.
'A bit overrated in my opinion and I struggled to hear what Heath Ledger was mumbling half the time.' At least it was good to see a 'gay storyline movie' being so high profile in cinemas and Hollywood that year.
John Waters expands the definition of female trouble in this mutant tribute to good-girl-gone-bad drive-in melodramas. The girl is, of course, cross-dressing cult icon Divine, Waters's plus-sized muse. Divine is at her most gleefully outrageous as teenage brat Dawn Davenport, who runs away from home and into a life of wanton hedonism all because she didn't get cha-cha heels for Christmas. Almost immediately she's molested by a sleazy motorcycle thug (also played by Divine--is this Waters's idea of "love thyself"?), but she doesn't let motherhood interfere with her plans of stardom and turns herself into an unlikely fashion statement in an apocalyptic fashion show. Waters's fourth feature, a follow-up to the midnight movie hit Pink Flamingos, is just as cinematically primitive and even more gleefully vulgar, right down to the electric climax of Dawn's road to everlasting fame.
In 1985 Dallas, electrician and hustler Ron Woodroof works around the system to help AIDS patients get the medication they need after he is himself diagnosed with the disease.
